{"product_id":"les-rallizes-denudes-jittoku-76","title":"Les Rallizes Dénudés - Jittoku '76","description":"\u003cdiv style=\"text-align: justify;\"\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/90P-DdRrCYo?si=i4uDIVZOjPDbaTvz\" title=\"YouTube video player\"\u003e\u003c\/iframe\u003eThe new album \"Jittoku '76\" will be released simultaneously on Wednesday, July 23rd as a 2-disc vinyl record and CD.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eIn 1976, the Naked Rallizes were made up of Takashi Mizutani (vocals\/guitar), Takeshi Nakamura (guitar), who was also a founding member, Hiroshi (bass), also known as Hiroshi Narasaki, who had been a member of Zuno Keisatsu and Date Tenryu, and Sammy (drums), also known as Toshiaki Mimaki, a former staff member at the Kichijoji live house OZ and a member of the OZ band.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eMany Rallyeze researchers believe that \"this period was the peak of Rallyeze.\"\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eIn fact, in 1976, under the leadership of Akira Hazama, the band began recording with the aim of signing a contract with Virgin Records in the UK, while also energetically performing live shows at a rate of almost once a month at the Shibuya Attic, which had just opened in 1975.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eFollowing on from the previous year, they also took part in the outdoor festival \"The 3rd Sunset Festival\" held in Ishikawa Prefecture (August 3rd-4th). On that occasion, they were booked to perform two consecutive nights at \"Shuttoku\" in Kyoto on July 29th and 30th, in conjunction with their tour of the Hokuriku region.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eOpened in 1973, Shutoku is known for its unique design, having been renovated from a sake brewery, and is a long-established live music venue that represents Kyoto.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eThe Rallizes have been performing in Kyoto for some time, and their shows in this ancient capital, which they consider their home town, have always been attended by many enthusiastic fans.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eThe newly discovered tape was found on July 30th and was recorded using the built-in microphone of a Marantz radio cassette player.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eUnfortunately, the recording cuts off midway through the final song, \"The Last One,\" but producer Makoto Kubota, who recognized the hidden potential in this recording, once again used her skills to revive the raw dynamism and compile it into an album.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eAs those involved testified, \"There was something different about the Rallys in Kyoto, a different sound,\" and from this tape we can hear a sound on an enormous scale that is hard to believe was ringing out in the space of Shudoku.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eAlong with Nakamura's solid supporting playing, Hiroshi's bass creates a rough groove, and Sammy's intense drumming erupts with fresh energy, and as if responding to them, Mizutani's guitar also shows a more emotional expression than usual.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eMany people will be surprised by the difference between \"Fire on Ice\" and \"Enter the Mirror,\" which are also included on \"'77 LIVE.\"\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eEight months after Shudoku, the same lineup of Mizutani, Nakamura, Hiroshi and Sammy performed on \"'77 LIVE,\" which captured a solitary sound image thanks to the miraculous \"OVER LEVEL\" phenomenon. Although very different from Shudoku, \"Shudoku '76\" also records a unique sound image that could only have been produced by Rallizes at that moment.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eThe setlist has changed significantly from \"'77 LIVE,\" creating a fresh impression. Three songs, \"Dreams Today,\" \"Carnival,\" and \"I Saw the Night in Your Eyes,\" are featured on the album for the first time.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003e\"Artificial Flower Field\" is an up-tempo, aggressive version, and \"Ibiscus Flower\" is a hard and heavy song that is completely different from the one included in \"The Last One〈Po_sies: Les Rallizes D_nud_s〉Naked Rallizes Poetry Collection,\" and these can essentially be said to be being released for the first time.\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eThis album, \"Shutoku '76,\" directly records the primitive energy that was at the core of the band, and may be an album that should be placed alongside \"'77 LIVE.\"\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv style=\"text-align: justify;\"\u003eThe vinyl record includes two bonus tracks (guitar solos at 1 minute 16 seconds and 1 minute 18 seconds, respectively).\u003c\/div\u003e","brand":"The Last One Musique","offers":[{"title":"Japanese CD Edition","offer_id":45808258973740,"sku":"TBVC-0009","price":195.0,"currency_code":"HKD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0388\/0461\/9308\/files\/les-rallizes-d_C3_A9nud_C3_A9s-jittoku-76.jpg?v=1784189275","url":"https:\/\/whitenoiserecords.org\/products\/les-rallizes-denudes-jittoku-76","provider":"WHITE NOISE RECORDS","version":"1.0","type":"link"}